On the legacy of post-painterly abstraction, occasioned by the exhibition and catalogue for “Color as Field: American Painting 1950–1975.” In 1964, Clement Greenberg was invited by the Los Angeles ...
Helen Frankenthaler, “Canal” (1963), acrylic on canvas, 208.3 x 146.1 cm (Solomon R. Guggenheim Museum, New York; purchased with the aid of funds from the National Endowment for the Arts, in ...
Seattle art patron Virginia Wright curated the exhibition “Color Field Paintings and Related Abstractions,” from the extensive collection she and her husband, Bagley, have acquired over the past 50 ...
At NSU Art Museum’s ambitious new show on color-field painting, there is one significant omission that lovers of modern art won’t be able to miss. Mark Rothko, whose color-block canvases made him one ...
This first full-scale examination of the Color Field Movement—which emerged in the U.S. in the 1950s—features approximately 40 paintings by such major figures as Gene Davis, Helen Frankenthaler, ...
The artist’s earliest Color Field paintings, with their indomitable colors, austere compositions and wild pictorial spaces, are among the movement’s signal achievements. By Roberta Smith In the early ...
The sixth edition of the GEMS: Collecting Post-War Abstraction sale, curated by art world veteran Dakota Sica, is now live for bidding on Artnet Auctions through March 25. Below, we spoke to Sica ...
As director at Leslie Feely Gallery, he is a champion of Color Field painting and Abstract Expressionism. Meanwhile, in his Brooklyn space, the Java Project, Sica works to boost the careers of young ...
When Jamie Franklin became curator of the Bennington Museum in 2005, he started connecting with artists’ estates and living artists linked to Bennington College’s midcentury heyday. Founded in 1932 as ...
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