This presentation is dedicated to Georg Baselitz (*1938) and his generous decision to donate 100 of his own outstanding and pioneering works on paper to the ALBERTINA Museum and the Morgan Library, ...

Georg Baselitz, “Untitled” (1984), graphite and watercolor on paper, The Morgan Library & Museum, gift of the Baselitz Family; 2022.107 (© 2022 Georg Baselitz) One of the most celebrated contemporary ...

The German artist Georg Baselitz has given six of his paintings to the Metropolitan Museum of Art, where they will remain on view as part of the exhibition “Georg Baselitz: Pivotal Turn,” through July ...

On occasion of his eightieth birthday, the Kupferstichkabinett (Department of Prints and Drawings) honors Georg Baselitz, a leading protagonist of German postwar art, with a retrospective of his ...

18.4 x 27.3 cm. (7.2 x 10.7 in.) Cologne, Galerie Thomas Borgmann, Georg Baselitz, Arbeiten auf Papier 1961-1968, September – November 1985, cat. 7, p. 2, iIllustrated Frankfurt, Städtische Galerie im ...

Enigmatic figures appear in a succession of poetic poses across 13 large canvases. Sometimes separate and at other times touching, the works are part of a series of oil paintings by German painter ...

“Like wallpaper for the Old Masters, that’s what my pictures shall be,” painter Georg Baselitz said about his current show at the Kunsthistorisches Museum in Vienna, in which he engages in a visual ...

Georg Baselitz, "Sing Sang Zero," (2011) is modeled on the artist and his wife Elke, a life-long inspiration and artistic partner Ten timber sculptures by the German artist Georg Baselitz, each shaped ...

At this year’s Salzburg Festival, the German artist has designed marionettes for a troupe that usually performs “The Sound of Music.” By Ben Miller and Laetitia Vançon The difference between two ...

Georg Baselitz: Six Decades of Drawings reflects on the contemporary German artist’s career with pieces from his most celebrated series. Now on view in New York City. Georg Baselitz, “Untitled” (1984) ...

A blockbuster restaging of an “art amusement park” from 1987 aims to recover a lost element in art — fun. But in our age of hype and commerce, was it doomed to fall short? By Walker Mimms Classic ...