Space to play or pause, M to mute, left and right arrows to seek, up and down arrows for volume. Classical sonatas, symphonies, and concertos share common musical DNA: the system of contrasting themes ...
South Florida Symphony Orchestra will perform its premiere of Mozart’s Requiem and his Symphony No. 40 in G minor in Miami-Dade and Broward counties! Led by SFSO’s award-winning music director Sebrina ...
Since Charles Mackerras's superb recordings with the Scottish Chamber Orchestra appeared in 2008, we have been quite spoiled by new accounts of Mozart's last three symphonies, most recently from Frans ...
The opening Allegro immediately delivers a feeling of restlessness, as divided violas accompany the principal subject in quiet agitation. The tone of this subject is both poignant and tense, and ...
From Sept. 25 to 27, the Boston Symphony Orchestra presented a concert featuring Wolfgang Amadeus Mozart’s “Symphony No. 41 in C,” more commonly known as the “Jupiter Symphony,” and Richard Strauss’ ...
Born on January 27 1756 in Salzburg, Wolfgang Amadeus Mozart would go on to be one of the most-loved classical composers of all time. His operas, concertos, symphonies and sonatas went on to shape ...
What is there not to like about the music of Mozart? Gioachino Rossini, the master of comic opera, put him above all the others. "I take Beethoven twice a week, Haydn four times," he once said, "but ...
Wolfgang Amadeus Mozart: the ultimate child prodigy. He started playing piano at the age of three and is credited with writing his first symphony at the age of eight. Some claimed his talent was a ...
Harry Bicket spends a lot of time in orchestra pits - he's the music director of Santa Fe Opera and a regular guest conductor at other opera houses. So, in an all-Mozart program with San Francisco ...
Three furry superstars joined the Danish Chamber Orchestra for a very special performance of Mozart's "Hunting Symphony" at this year's Haydn Festival. In a world where classical music usually sticks ...
The symphony is introduced with a short profile of Haydn and his influence on Mozart and Beethoven. Howard Goodall presents an example of Mozart’s melodic writing using the notes of the C triad.